To some of the great people from the Typosphere

It is really easy to think of people on the internet as just... text generators. You can't hear their voice, see their face, know their smiles or look into their eyes as you talk to them.

 Often on the internet I have seen horrendous things said and done to other people, which I only came to understand when I realized that the humanity of the people on the other side of the wire has been lost - and the antagonist has not been able to comprehend that they are talking to a living person, and not just a page full of text or a mindless drone character in a computer game.

However, the people I have come across so far in the typosphere have been very different. The humanity and personality of the bloggers I enthusiastically read daily is often soaked into their pages. These are real people who are not hiding behind a constructed online facade, and the typosphere has given them the capacity to be able to engage with each other with great passion and love.

I feel, that of all the online communities I have engaged with, the typosphere has been the most unique and rewarding.

So with that said, I have a few thank-yous that I want to give to some of people I've not yet met, and one that I have.

Many of us on the typosphere have been more than willing to go out of our way to help others repair their machines. I've sent parts out to people, and given whatever advice and ideas that I can. Meanwhile, others have done the same for me. And most of these people have done so with capricious generosity.

In the last couple of months I have received a few packages that have allowed me to get some great machines back to life. While I always like the challenge of improvising a repair, often the easiest and most graceful way to fix a machine is to simply find a part from a spare part.

So without further ado, I would like to thank these people:

Bill Maclane.
Bills blog can be found HERE.

Bill recently posted to a collective of parts which I have been able to use to complete and repair a Corona 3. I had originally purchased the Corona 3 as a non working machine off Joseph O'Neil over at the Typed on paper blog. The machine was incomplete, non-functioning but in quite beautiful condition.

Bill didn't ask for any money to post the parts to Australia, which was very generous of him. and I am very thankful for him doing so.

Here's the machine that Bill helped complete:

Corona 3

Barry Feilden
As far as I know, Barry doesn't have a blog, but I came across Barry on the Yahoo Portable Typewriters Forum.

After I came back from my last visit to John's workshop, I put out a call on the forum for a detent roller for an Olympia SM3/Monica etc. I honestly didn't expect anyone to have one to spare, and I started to plan an improvised substitute. But within hours of my posting the request, Barry contacted me to tell me that he had one that he could offer.

Like Bill, Barry didn't want any money for the postage. Within about two weeks a envelope arrived from the UK that contained the detent roller, and I had it bolted into the machine within minutes of me getting the parcel upstairs.

It is an Olympia Monica that is an ongoing project of mine, and I was super-excited to have this machine working. So thank you Barry!

Here is the machine that Barry helped complete:

Olympia Monica - based on the SM3.

Robert Messenger. 
The Australian Typewriter Museum.

The famous Robert Messenger has been very generous to me. So far, no money has exchanged hands, and I'm trying to think of ways that I can repay Robert's generosity. Robert has given me two of my all time favorite machines, and I am very appreciative.

Yesterday I had a package arrive from Robert that contained a trove of assorted parts.

At the Brisbane type-in, Robert left me with a generous array of machines. Two of these machines were ex Scienceworks museum pieces that were in a very poorly functioning state.

Both of these machines had parts missing off them when Robert left them with me. One of them, a Remington 7, he actually had forgotten to bring the paper-table that belonged to it along with him, and promised to post it up at a later stage.

In the meantime, Robert acquired a paper-table that belonged to a Smith-Premier 10 - a machine which he had also left me an example of.

Robert packed these parts, and an assortment of other pieces - including a denture brush which has been used to clean type slugs, into a box and sent it up to me without asking for any money to cover the parts or the cost of postage.

Both the Smith Premier 10A, and the Remington 7 that Robert left me are now complete. However, they are still an ongoing project. The Remington 7 is now in 100% functioning order, and even has new rubber rollers to keep things nicely in line. But there's still some cleaning and adjusting to be done. Also, no matter what I do, I seem to not be able to complete clear the machine of the hair from Robert's typewriter guard cat!

But the Remington is working enough for me to easily be able to write letters on, and use as a demonstration machine. Sorry Scienceworks, you can't have it back.

Here's the machines that Robert has given me, and helped me to complete:

Remington 7

Smith Premier 10A

The Smith-Premier is going to need some serious work. But fundamentally, the machine has a lot of promise. The keys are still filthy with 90 years of gunk in them, but I have cleaned a couple and they came up looking beautiful. For the most part this typewriter works, and with a bit of effort potentially can be brought back to life. It may look as though two keys are missing from the keyboard, but they are just collapsed. There's a few challenges ahead of me with this Smith-Premier, but it will be an interesting machine to restore.

*   *   *

So, thank you very much gentlemen. In time I'm sure I'll find a way to repay you, but right now I'm very grateful for your generosity. Like you, I send out parts from time to time - without asking for anything in return, and I think it is this kind of thing that makes the typosphere such a great community. 

Thanks!

And Robert, the denture brush makes an excellent brush for cleaning the wooden type struts on the Remington 7. Very useful!

The Apothecary's Typewriter

It's the sort of machine that I'd expect to find and read about over at the Dante's Wardrobe blog, but yet it has proved to be something of a complete mystery. Let me introduce you to a typewriter that I have not seen an awful lot of information about.

 

Filthy, filthy keys. And these had already been scrubbed once.

Notice anything about them?

A few months ago a member in the Portable Typewriter Forum on Yahoo! mentioned that they had a 'Pharmaceutical typewriter' that they were willing to part with. Being that this was very closely related to my line of work, I quickly messaged the member and expressed an interest in this machine - that is if the person he'd originally offered it too turned it down.

It was an interesting Royal portable with a brown paint scheme, which before I knew it was shipped off to Singapore.

"Oh well", I sighed in an email back to the charming typewriter enthusiast; Robert Neuwirth, (who is a journalist and excellent writer) And that was that - or so I thought. 

Robert goes by the name of Squattercity on the Yahoo! Forum. This name comes from Roberts blog (as linked above), and an excellent book that Robert wrote called Shadow Cities: A Billion Squatters, a New Urban World. A book that I will be posting a review of on here sometime in the near future. 

Some weeks later an email notification flashed up onto the screen of my iPhone. It was Robert, and he had come across an interesting Corona 3 on ebay that he through might be right up my ally. 

He was right. After I clicked into the link, I have to say I couldn't have been more excited. A seller was offering up a typewriter that had the requisite 'Pharma' (as a lot of forum members had called them) keys.

But it was a mess. The machine looked as though it had been corroded to all buggery, and would probably prove to be quite a test to any would be restorer. The seller hadn't actually noticed the unusual characters on the keys, and as such didn't even mention them, or even photograph them closely for the sake of the sale. But he did make a bit of a noise about 'working briefly for Smith-Corona once'.

Not that this is a problem to me. I often look for basket cases that will challenge me to learn new skills. But it was also only for sale to people inside the United states, which kind of presented a problem to me, as I was on the wrong side of the Pacific Ocean.

I quickly crunched the numbers and made some calls, and I managed to tee-up a few people who would could re-post this machine to me. But I shouldn't have worried, as some polite emailing and negotiation seems to go a long away on ebay sometimes, and I managed to convince the seller to post to Australia. 

The auction ended without anyone else bidding against me. Either no one else noticed the unusual keys, or the condition of the machine was a real turn-off. Within a week I had on my desk a very crusty and rusty old Corona 3. 

Upon opening the package my heart sank. The typewriter case was damaged, and the machine was floating around inside the packing box. But the machine was complete, even if it looked like it had sat at the bottom of a swamp. I sat it next to my other Corona 3 - a machine that I had bought off Joseph over at the 'Typed on paper' blog, and from an aesthetic point of view Joseph's machine highlighted how poor a condition this machine was in. 

Even mechanically this machine had some real challenges. Which, I'm glad to say I was able to overcome. 

And here's the result: 

Not so shabby eh? Still a little more work to go, but it's typing happily, and looking pretty damn fine.

But cleaning and fixing this machine was one thing. The hours I spent sorting this machine out was equaled by the amount of time I spent finding pretty much nothing in relation to these 'Pharma' typewriters.

So let's call it what it is: an Apothecary typewriter. 

I can understand why it is often referred to as a 'Pharmaceutical typewriter', but this is neither accurate, or doing justice to the cultural significance of these machines. I've come across examples produced by Royal, Oliver and Corona so far. But I wouldn't be surprised if there were others to be found.

You might be wondering "What is an Apothecary"? Well - let me indulge this question. 

In the modern era various proponents of 'Alternative' or 'traditional' medicine practitioners often are critical of how western culture has become reliant on conventional medicine. As such practitioners of these things often market themselves with traditional medicines that are 'hidden secrets' of other exotic cultures. 

But it isn't true. Western culture has an extensive history of traditional medicine, and this medical tradition was endorsed, marketed and sold by people known as Apothecaries. 

Apothecaries, like modern pharmacists, had a language all of their own. They also had systems of measure that were mostly specific to their trade. Many of these symbols and measurements were carried through as a lot of apothecaries changed over to pharmacists.

As we turned from the 19th to the 20th century, the role of apothecaries in our community changed rapidly. The scientific method had proven that many of the remedies and cures sold were a sham. And at the same time more rigorous research methods began offering far more effective drugs. As society began to embrace this change, many apothecaries changed along with it and become pharmacists. As such a lot of apothecary tradition came along with them.

This wasn't exactly an unusual thing for apothecaries to do. Whereas these days we see the word 'apothecary' as an old world term,  apothecaries actually used a combination of tradition and cutting edge technology to market themselves. Around the world there's still some shops that call themselves apothecaries, but they are more of a novelty shop trying to capture the traditional feel, while eschewing much of the technology.

Apothecaries used complicated and advanced glass products to both sell their wares (Google: apothecary jar) and produce them. They made far more sophisticated packaging than was commonplace at the time, and they used electricity at a time that it was still considered a novelty product. 

They produced sophisticated means of advertising and labeling their products, and were voracious users of printed material. Really it comes as no surprise that these people had typewriters produced for them specifically for their purposes. 

Just had to add "$" there. it felt kinda right in a snake-oil salesman kind of way.

As you can see there's an interesting mix of more modern measurements that you may recognise, along with a couple of odd but familiar characters and some otherwise foreign ones. 

I've used some odd unicode below to give you an idea of what these symbols are, but unfortunately the unicode symbols haven't always been exactly... 100% accurate. However they are close enough. 

℞   

This is an easily recognised symbol that is still in use today. But it has a long and complicated history. It is used to symbolise 'take' in latin - as in 'recipe', Hence they 'R' of the symbol. However its origins go further back than that - as the crossed extension of the R is a nod to the roman god 'Jupiter' as a prayer to the patron of medicine. These days we often just refer to it as 'prescription'.

 ♏

The 'Minim' by comparison to many of these other symbols, is a much more modern addition. This much more of a pharmacological symbol than it is an apothecary, but it was originally specified for use alongside existing apothecary measurements. Its usage changed in modern context to define 1/480th of a fluid ounce. But it originally indicated 1/60th of of a fluidram. 

*note: this symbol should have a cross over at the bottom of the end, not an arrow as depicted here in the unicode. 

ℨ

And speaking of drams and fluidrams, here's the symbol for a 'dram'. Fluid drams are indicated by putting an f, or an fl in front of this symbol. This as an apothecary measure takes its name from the ancient greet coin of the same name. A fluid dram is about the size of a traditional (but not the current size) teaspoon. While dry material dram is a little more complicated.
Oh, and a variation of the dram is still in use with the production of Scotch Whiskey.

℥

Hot on the heels of the dram, we have the 'ounce'. The symbol is very similar, but of course has that extra 'z' on top. Like the dram it is qualified as a liquid once with an f. Both drams and ounces are halved by adding 'ss' to the end. Other portions are indicated by fractions. 

∍

Rounding out the list of major measurement symbols used by apothecaries, we have the 'scruple'. This is a tiny measure that works out to about 1.3 grams. But is defined as '20 grains'.

fl

The fl symbol has a much more recent addition to the system, and is probably a product of the apothecary transfer across to modern pharmacology. fl oz is a far more common symbol today, but previously fluid ounces would have been symbolized by an f3.  The fl would have been used in combination with the previous symbols, along with an 'a' fraction key, to denote quantities in fluids. 

All of these units of measure were very complicated, and needed a considerable level of knowledge for the user to be able to interpret. I'll note that 'apothecary' wasn't just a term for people who sold the remedies, but was an encompassing term for the people that sold and distributed materials involved with the product as well as administering it. As such, doctors and nurses are also apothecaries. Once upon a time most of these people would have had to have been trained in the interpretation of these symbols. But today these are antiquated and clumsy units of measure that are actually more of a danger to use in a modern context.

But pharmacists do still largely acknowledge the history and tradition of the apothecaries - even if our own world has mostly progressed past the days of selling snake oil alongside Aspirin.